This is the website of Brian Bixby, artist, curator and designer currently based in Germany. My projects range from digital art, installations, photography, painting, and built objects. I studied at the Bauhaus University in Weimar, Germany and received a Bachelor and Masters degree in Media Art and Design.

Selected Exhibitions

The Sum, Bauhaus University, Weimar, Germany
Austellungen, Gießen, Germany
Anywhere But Here, SlowBurn Gallery, New York, USA

Araki im Erotik Fachgeschäft, Jena, Germany
Blu System, Geschwister-Scholl-Straße 8, Weimar, Germany

Coming Home, Bauhausstraße 1, Weimar, Germany
Recapitulatio, Steubenstrasse 8, Weimar, Germany
Republik der Geister, Main Building of the Bauhaus University, Geschwister-Scholl-Straße 8, Weimar, Germany

Brüche der Wahrnehmung, Van-de-Velde-Bau, Geschwister-Scholl-Straße 7, Weimar, Germany

Der Neue Mensch, Die Neue Welt, Bauhaus Eins, Weimar, Germany

14 Bastard Flags, Nachtiville, Zeewolde, Netherlands
She is no longer present, Curated by Duygu Atceken, Iconotope Gallery, Weimar, Germany

Illuminate the Darkness, Viehauktionshalle, Marcel-Paul-Str. 57, Weimar, Germany
Zauberlehrling, Iconotope Gallery, Herderplatz 12, Weimar, Germany

Summaery, Bauhaus University, Weimar, Germany
Some Rooms of Fortune, Bauhaus University, Weimar, Germany

Adieu Marie, Marianstrasse 2, Weimar, Germany
Twice Upon A Time, Stattberlin, Berlin, Germany
Walter Benjamin in the Mall of America, KW Institute for Contemporary Art, Berlin, Germany

Phantasmagoria, kaleidoskop Art Space, Berlin, Germany
Currents, Santa Fe International New Media Festival, Santa Fe, New Mexico, USA
Edition N1. Wonderland, Curated by Chun-Chi Wang, GlogauAir, Berlin, Germany
I’m Looking For You, Weekendhaus, Berlin, Germany
Wave Mechanics, Curated by James Coker, Albuquerque, New Mexico, USA

Pherepaphe: the fourfold roots of everything, Curated by Phoenix Perry, Brooklyn, New York, USA
Wonderland, Curated by Lance Fung, San Francisco, California, USA
Noise, PennBrick Gallery, Santa Fe, New Mexico, USA
Scores, Lawrimore Project, Seattle, Washington, USA

Gradient Ghosts, ART Santa Fe, Santa Fe, New Mexico, USA
Claiming Space, Curated by Kate Bonansinga and Mónica Ramírez-Montagut, Stanlee and Gerald Rubin Center for the Visual Arts at the University of Texas at El Paso (UTEP), El Paso, Texas

Loosely Joined, 516 Arts, Albuquerque, New Mexico

Wrekage, Curated by Craig Anderson, Center for Contemporary Art, Santa Fe, New Mexico, USA
Art and Infinity, Santa Fe Community College, Santa Fe, New Mexico

mass [re]production, College of Santa Fe Fine Arts Gallery, Santa Fe, New Mexico
Currents, Santa Fe International Art Fair, Santa Fe, New Mexico

Digital Showcase 27, Austin Museum of Digital Art, Austin, Texas
Tune((In)), Santa Fe Art Institute, Santa Fe, New Mexico
The Domino Effect, Santa Fe Art Institute, Santa Fe, New Mexico

Nine Directions in Art, La Universidad Autonoma de Chihuahua, Chihuahua, Mexico

Selected Performances & Screenings

Live visuals for Stewart Walker concert, Volksbühne, Berlin, Germany

Currents 2011, Santa Fe International New Media Festival, Santa Fe, New Mexico, USA

Plateaux Festival, Centre of Contemporary Art Znaki Czasu, Torun, Poland
Festival of Animated Film, Stuttgart ‘08, Stuttgart, Germany

Red Dot Art Fair, Miami, USA

SonicActsXI – The Anthology of Computer Art, Amsterdam, Netherlands
52nd International Short Film Festival, Oberhausen, Germany

Cannes Film Festival / 44th International Critics’ Week, Cannes, France
The Connectors / International Media Festival, Bristol, United Kingdom
Currents / Art Santa Fe, Santa Fe, New Mexico
Five12 Winter Summit, Atlanta, Georgia

Warning Signal, Center for Contemporary Art, Santa Fe, New Mexico, USA


Der Neue Mensch, Die Neue Welt, Fung, Lance and Waffel, Claire, Weimar, Germany, Bauhaus Eins, May 5, 2017

VIDOS, Michael Fakesch, [Berlin, Germany, March 2009]

Claiming Space, El Paso, Texas, United States, Rubin Gallery Press, November 18, 2008
El Paso Life Magazine, Salinas, Sandra, “Artistas que reclaman un espacio”, 09.18.08, p.30
El Paso Magazine, “Claiming Space”, 09.15.08, p.87 illus
Santa Fean, Sardy, Marin, “Shifting Perspectives”, 06.08, p 76 illus
Santa Fean, “Top Talent”, 06.08, p 60
Rupture, Design New Mexico, [Santa Fe, New Mexico, United States, Feb. 2008]

2007, Gutoff, Bija, “Apple Pro interview”, 07.07

Wrekage, San Francisco, United States, Microcinema International, December 8, 2006
SonicActsXI – The Anthology of Computer Art, [Amsterdam, Netherlands, 2006] Santa Fean, Davis, Kathryn M., “Wrekage review”, 11.06, p 47 illus
R. Klanten, N. Bourquin, T. Geiger, Tres Logos, [Berlin, Germany, Oct. 2006] Santa Fe Reporter, Fischer, Zane, “There is no spoon”, Sept 27-Oct 3, 2006, vol 33, issue 38, p 35 illus
Pasa Tiempo, Weideman, Paul, “Ediface wreks”, Sept 22-28, 2006, p 48 illus, 50 illus
THE Magazine,“Wrekage preview”, 08.06, vol xiV, number Vi, p 42 illus
TREND Magazine, Stegner, Lynn, “Creative Science”, Summer 2006, vol 7 issue 1, p 55 illus

Creative Loafing, Radford, Chad, “Devine Inspiration”, Jan 6-12, 2005, vol 33 no 35, p 83

Domino Effect, Maeda, John, The Nature of Technology, original essay, exhibition catalog.
XLR8R Magazine, June/July 2004, issue 78
The New York Times, Yablonsky, Linda, “A Biennial Checklist: Art, Drinks, Checkbook”, 08.23.04, p 26 illus
Isolated. Funkstörung. Triple Media, Die Gestalten Verlag (dgv), [Berlin, Germany, Nov. 2004]

Pasa Tiempo, Prince, David, “Sonic Installations”, Nov 21-27, 2003, p 19 illus


Coming Home, BauhausEINS, Weimar, Germany
NEXT100 presents Raster.Signale 2 (the official program for the opening of the new Bauhaus Museum), Weimar, Germany

NEXT100 presents Raster.Signale 1, Weimar, Germany

Zauberlehrling, Iconotope Gallery, Herderplatz 12, Weimar, Germany

The Domino Effect, Santa Fe Art Institute, Santa Fe, New Mexico.